By Since starting my Journalism Master’s in September 2020, I’ve noticed my nit-picking perfectionism and incessant checking more than once. After each sentence I write, I have a habit of going back to the beginning of the piece and reading it all through again to make sure it still flows.
By First name on XCity Award shortlist announced: Dina Aboughazala
Dina Aboughazala, the founder of an Egypt-based startup that helps local journalists, is the first name on the shortlist for the XCity Award.
By Inside XCity Podcast: Episode 4
Today, Jake Helm and Nicola Blackburn chat with Cara Laskaris and Eloise Feilden about City’s new podcasting module and those magical “lightbulb moments” all writers dream of.
By From headlines to hops: Leaving journalism to open a brewery
Opening his own brewery was food writer Daniel Tapper’s dream. The brewer began his journalistic career, writing for the likes of The Guardian, Waitrose Kitchen Magazine and Delicious, but it was while freelancing full time that he began experimenting with home brewing.
By Light bulb moments: How to develop compelling ideas
As journalists we’re often told that ideas are our currency – as if cartoon-like ‘light bulb moments’ pop into our heads on demand. But how often have you found yourself uninspired? Does it ever feel like your well of pitches has run dry? Cara Laskaris speaks to Richard Klein, Oscar-winning factual TV producer and commissioner, about how to develop compelling ideas.
By Hello! recruits City Journalism student for their first diversity internship
Hello! has recruited a City Journalism BA student for their first diversity internship. This remote internship pays £75 per day and aims to equip students from minority backgrounds with experience and confidence when applying for jobs.
By Six tips for data journalism from industry experts
Three prominent British journalists who know all about creating data-driven work are: John Burn-Murdoch, Senior Data-Visualisation Journalist at The Financial Times; Ashley Kirk, Visual Projects Editor at The Guardian; and Alex Homer, Senior Journalist at the BBC Shared Data Unit. Here are their top tips for getting to grips with data-driven journalism.
By Journalists in film may be more glamorous, but why are they so unrealistic?
In movies, journalists are often depicted as cool dudes with a latte in one hand and their Macbook in the other, like Miranda Priestly in The Devil Wears Prada. But movies aren’t real life, and sometimes, fictional journalists are too ridiculous to believe. XCityPlus has identified some of the most ludicrous fictional journalist moments.
By Work-from-home wellbeing: How the UK’s leading health and fitness journalists are getting through the pandemic
For journalists working through the pandemic and the changes it sparked, it can seem impossible to balance a career and still take care of their mental and physical health.
But what about the people who write about these topics for a living? We spoke to some leading health journalists to find out how they stay happy and well when working from home – and what they’ll do going forward.
Inside XCity Podcast: Episode 3
Today Jake Helm and Nicola Blackburn are joined by Aisha Rimi and Sophie Laughton, chatting all about Black Lives Matter protests and an investigation into City’s spending on PPE.
By Six photojournalists that revolutionised their craft
The storming of the Capitol; the tangled tubes of an intensive care unit; the latest snaps of the prime minister’s dog – rarely is an event (or non-event) left uncaptured by photojournalists.
In the modern age, with a camera in every pocket, it’s never been easier to be a photojournalist. But who were the true innovators of photojournalism: those that pioneered new styles and techniques, or irreversibly altered what was acceptable to be photographed?
By Shaking up the art world: The age of digital art criticism
On a crinkled billboard outside of Stepney Green underground station in east London, a row of posters outlines The White Pube’s manifesto for a future art world. It was one of many manifestos that popped up across London, Liverpool, and Instagram in early 2021, as part of a public campaign to confront various inequalities in the global art ecosystem.
